Why counts, and why eights
Cheer and dance music is built in bars of four beats, and phrases of two bars. Counting to eight covers one phrase, which is why choreography is taught "5, 6, 7, 8" and why every skill is placed on a count. A mix made for competition is usually at one steady tempo, so once the first 1 is found the rest of the counts fall in a regular grid, and the sheet can be written row by row without guessing where each 8 starts.
How long is an 8-count?
The length of one 8-count depends only on the tempo, in beats per minute. For the tempos cheer mixes usually use:
| Tempo | One 8-count | Full 8-counts in 1:30 | Full 8-counts in 2:30 |
|---|---|---|---|
| 140 BPM | 3.43 s | 26 | 43 |
| 144 BPM | 3.33 s | 27 | 45 |
| 150 BPM | 3.2 s | 28 | 46 |
These numbers come from the same arithmetic the sheet uses. On a real mix the intro, a voiceover or a tempo change moves the count, which is why Cheersheet builds the grid from the music itself instead of from a single number.
From the mix to the sheet
The work always goes in the same order. First the music: load the mix, find the first 1 and check the grid by ear, because every cue written afterwards hangs off it. Then the structure: mark the sections of the routine (stunts, tumbling, jumps, dance, pyramid and the transitions between them) across the 8-counts they cover. Then the detail: the cue on each count, who does it, and where the athletes stand. Finally the teaching: a printed sheet, athlete cards, and practice at a slower speed with the counts called.
What makes a good sheet
A good count sheet can be read from across the mat. That means short cues (a word or two on a count, not a sentence), the section named on every row, blank counts left blank rather than filled with filler, and the time of each 8-count printed so a coach can find the spot in the music. It also means one version: when the choreography changes, the sheet changes, and the old printout goes in the recycling.
Every guide
- How to write an 8-count sheet: filling in a cheer count sheet row by row, with how many 8-counts fit a 1:30, 2:00 and 2:30 routine.
- Finding the 1 in a cheer mix: hearing the downbeat, tapping the tempo, and fixing a grid that runs at half or double speed.
- Slowing a mix without changing pitch: practice speeds from 50 to 100 percent, what they do to the tempo and the length, and why pitch stays put.
- Count sheets for stunts and pyramids: writing stunt groups, loads, hits and dismounts on the counts, with formation dots per 8.
- Teaching counts to a team: a practice plan for teaching a routine by the counts: slowed track, loops, athlete cards and the projector.
- Dance team count sheets: count sheets for dance and pom teams: the same 8-count grid, with formations and changes of tempo.
Ready to try it on your own music? The count sheet editor loads your mix in the browser, finds the grid with your tapped 1, and prints the sheet. Nothing is uploaded, and questions are answered in the FAQ.
Sources
Checked on 27 September 2026. Count sheets have no single governing standard; what is written here is common practice in our own words, and every number in a worked example is computed by Cheersheet's own engine when the page is built. Where your gym, choreographer or ruleset does it differently, follow them.
- Cheersheet's own engine and its tests. Every worked number on these pages (tempos, 8-count lengths, how long a routine takes at a practice speed, what the detector found on the test tracks) is computed by the same code the sheet runs, when the page is built.
- MDN Web Docs, BaseAudioContext: decodeAudioData. How a browser turns an MP3, M4A or WAV file into samples in the page, with no upload. Formats depend on the browser's own decoders.
- Dixon, S., Onset Detection Revisited, DAFx 2006. Spectral flux, the onset measure the grid is built from: how much brighter and louder each short slice of sound is than the one before.
- Ellis, D. P. W., Beat Tracking by Dynamic Programming, Journal of New Music Research 36(1), 2007. The idea behind following a pulse through a mix: pick beats that sit on strong onsets while keeping the spacing close to the tempo.